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Davin Henry Susanto
Davin Henry Susanto Mohon Tunggu... Student at SMA Pradita Dirgantara

I’m Davin Henry Susanto, a 10th-grade student at SMA Pradita Dirgantara from Sukoharjo. Driven by a love for Indonesia and a mission to uplift communities. Let’s create positive change together!”

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Fiksiana

Striking the Right Chord: "Kaset Pita" and The Quest for Cultural Identity

10 Mei 2025   20:32 Diperbarui: 10 Mei 2025   20:35 941
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Quiet Reflection by the River Bank

Kaset Pita also uses the presence of Damar's father to deepen this message.  In a warm flashback, Damar (young and eager) listens as his father plays the serdam alongside a friend. This tender moment reminds him (and us) where his talent originated. The film underlines that cultural identity passes between generations: even after his father's death, Damar carries on the music.  At one point, he discovers an old cassette tape with his father's voice and a handwritten note.  The note reads (in essence) that "the value of art and culture is a treasure that gives us identity and meaning in life... Dad will always be proud of you." This powerful message (of art as identity) reflects the idea behind national programs like Indonesia's FLS2N arts festival.  Officially, FLS2N exists to "foster a love of art... to inspire students to preserve Indonesian arts and protect the nation's cultural wealth." Kaset Pita embodies that ethos. Damar's journey reminds viewers that true creativity shines when it honors local wisdom.

Real Challenges for Young Creators Today

Kaset Pita doesn't shy away from the real-world pressures modern creators face.  Damar endures burnout, envy, and even temptation to take quick money (there's a scene hinting at online loan scams).  His exhaustion is real: he grows distant from friends and family, fixated on likes.  This mirrors reports that Indonesian youth are increasingly grappling with anxiety, stress, and self-doubt.  In recent years young people have started openly discussing depression and stress, embracing "healing" trends like taking breaks and self-care to cope. The film reflects this need: when Damar finally collapses from pressure, his rediscovery of music becomes a kind of healing.

Cross-cultural Online Duet & Heritage in a Suitcase
Cross-cultural Online Duet & Heritage in a Suitcase

Social media also offers a false sense of connection. In one montage, two musicians appear side-by-side online, an Indonesian flutist and a Japanese violinist each vying for clicks (with 3.2M vs. 560K likes). This playful collage shows how content can be commodified globally, leaving the creator torn between identities.  Will he follow foreign trends or stay true to home?  The image of a suitcase being opened (top-right of [3]) filled not with flashy gadgets but with his serdam and the cassette tape suggests the answer: he literally carries his heritage along on his journey. Yet the film also points to a harsh reality: even when Damar plays from the heart, he must contend with an algorithmic system that prizes novelty over depth.

These pressures (viral validation on one side, and the weight of cultural expectation on the other) take a toll. In everyday Indonesian life, many students feel similarly divided. The lure of instant popularity can overshadow schoolwork, family ties, and self-esteem.  Too many young creators find themselves anxious and burned out; chasing likes leaves them feeling hollow. Studies show that without balance, teens can end up using technology "more often for entertainment and fun... rather than increasing [their] literacy." In other words, endless feeds and challenges risk making youth passive consumers instead of curious learners. The film's critical view urges us to question that rat race.

Education, Culture, and Youth Initiatives

The story of Kaset Pita resonates with ongoing efforts in Indonesia to reconnect education with culture.  National laws and programs explicitly aim to bridge this gap.  For example, Indonesia's 2003 Education Act (UU Sisdiknas) promises learning that develops moral character and cultural knowledge.  In practice, however, students often have few opportunities to engage deeply with local arts.  That's why events like the Festival and Competition of Student Arts (FLS2N) are so important.  The FLS2N guidelines state that the festival's goal is "to develop students' artistic spirit... fostering a love of Indonesian arts so they are inspired to preserve Indonesian art and protect the nation's cultural wealth."  Likewise, the education ministry's vision for school arts emphasizes local wisdom, encouraging youth to "explore local wisdom and create globally resonant art." These policies mirror Kaset Pita's message: youth can be globally connected yet culturally grounded.

Integrating cultural literacy in schools is also a national priority. The Ministry of Education runs a "National Literacy Movement" (Gerakan Literasi Nasional) to make reading, critical thinking, and cultural knowledge part of daily learning. These efforts recognize that preserving heritage isn't just about passing tests, it's about forming identity. When students learn history, traditional music, or local languages in class, they are learning the same values Damar rediscovers through his music. If students can proudly showcase their region's art (for example in FLS2N competitions or school performances) they may feel empowered rather than alienated by their roots.

Ultimately, Kaset Pita suggests that personal creativity and national culture need not be enemies. The Cultural Advancement Act of 2017 even declares people themselves "the owners and drivers" of Indonesia's cultural diversity (so heritage evolves with us, not locked in a museum). In other words, Indonesian policy encourages students to innovate with their traditions. By blending modern media tools with the serdam, Damar exemplifies this approach.

If I Were the Protagonist -- A Self Reflection

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