Dion Wiyoko is at his finest — not only does he finally land a character that truly fits him, but he lives through it. And Sheila Dara is a powerful force.
When there’s doubt about whether this kind of cinema can continue in Indonesia, all we can do as the audience is hope. It may not be for everyone, but for those who connect with it, it lingers. It speaks to people who’ve experienced loss, longing, or the quiet complexities of love. Even if it’s just a small part, Sore gives us a reason to believe that stories like this can still live on.
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