This paper will examine the semiotics contained briefly in one film, with the title imperfect by ernest prakarsa. The studies discussed are how the sign can appear, sign processing, and until can be agreed together. This article will examine what ultimately needs to be interpreted together with the same suitability, also will be a new knowledge for writer and readers because semiotics is described with the closest state to the world of modernity, that is the development of film media as a representation that contains a meaning.